'Britain's Marvelous Machins'
Introduction
Great Britain's Machin definitives have proven to be a significantly long-lived series having begun in 1968 and continuing to the present. Over this period of time, the printings have recorded changes in currency, rates, production processes, security features, materials and artistic standards. The driving forces behind the changes have been Post Office Revenue Management, Automation Requirements and Cost Reduction with the intended and unintended consequences resulting in over five thousand cataloged varieties.The purpose of this exhibit is to capture a period of rapid, pivotal printing history by presenting ten decimal values from their inception in 1971 to the present. The presentation is therefore limited to the stamp printings only, excluding postal history, pre-cursor material such as color trials and a study of rates.
The exhibit will focus on explanations for fundamental, evolutionary changes to the stamps in the series. The large number of varieties arise from the combination of process, materials and design factors across values. The stamps, having been born into a period of rapidly improving technology, are perhaps better viewed as high-technology tariff devices.
Exhibit Frame Progression
Because of the complexity of construction of a Machin stamp, this exhibit is organized in the following fashion:
I. Base-Line Printings -- These frames explore the Gum, Paper, Phosphor/Fluor materials as intended by printers' implementation of Post Office specifications. The first five frames are essentially an introduction to the basic ½p-5p printings. The printings section begins with the right-hand side of frame 1 and continues through frame 5.
II. Interactive Technology -- These frames explore variations in the application of phosphor/fluor inks as well as providing a brief history of their development and use of these compounds to drive automation.
III. Visual Elements -- As unadorned as the Machin design is, there are a surprising number of factors that produce distinctive visually discernable varieties. These are explored in the final three frames.
Organization: This exhibit's topics are allocated in the frame representation, above, in value-catalog number-chronological order, at the page level, within each chapter, to the degree allowed by layout constraints. This permits a logical presentation of evolution and variation within each of the three major developmental threads and means that, in general, chronological order moves from upper left to the right and down in each chapter of the exhibit.
Viewing: This exhibit has been designed to be accessible by Machin experts and beginners. If you are new to the subject, the introductory pages in each chapter will assist you in understanding how variation arises. If you are familiar with Machins, moving directly to the 'Printings' pages of each chapter may be beneficial.
Completeness: Exhibiting one example of each variety, even with the limited scope of chosen values, would require space for 834 printings or about one and a half times greater frame space. Rather, I have chosen to categorize the display of the printings into three chapters containing major printing divisions each of which contains variety subdivisions as defined predominately from the Deegam Catalog (see page 6). All major printings are represented and fully 95% of the subdivision varieties are represented with at least one example from one or more values.
This introduction is taken from Stephen's
Frame 1
- Sheet 1
- Sheet 2
- Sheet 3
- Sheet 4
- Sheet 5
- Sheet 6
- Sheet 7
- Sheet 8
- Sheet 9
- Sheet 10
- Sheet 11
- Sheet 12
- Sheet 13
- Sheet 14
- Sheet 15
- Sheet 16
Frame 2
- Sheet 17
- Sheet 18
- Sheet 19
- Sheet 20
- Sheet 21
- Sheet 22
- Sheet 23
- Sheet 24
- Sheet 25
- Sheet 26
- Sheet 27
- Sheet 28
- Sheet 29
- Sheet 30
- Sheet 31
- Sheet 32
Frame 3
- Sheet 33
- Sheet 34
- Sheet 35
- Sheet 36
- Sheet 37
- Sheet 38
- Sheet 39
- Sheet 40
- Sheet 41
- Sheet 42
- Sheet 43
- Sheet 44
- Sheet 45
- Sheet 46
- Sheet 47
- Sheet 48
Frame 4
- Sheet 49
- Sheet 50
- Sheet 51
- Sheet 52
- Sheet 53
- Sheet 54
- Sheet 55
- Sheet 56
- Sheet 57
- Sheet 58
- Sheet 59
- Sheet 60
- Sheet 61
- Sheet 62
- Sheet 63
- Sheet 64
Frame 5
- Sheet 65
- Sheet 66
- Sheet 67
- Sheet 68
- Sheet 69
- Sheet 70
- Sheet 71
- Sheet 72
- Sheet 73
- Sheet 74
- Sheet 75
- Sheet 76
- Sheet 77
- Sheet 78
- Sheet 79
- See sheet 79
Frame 6
- Sheet 81
- Sheet 82
- Sheet 83
- Sheet 84
- Sheet 85
- Sheet 86
- Sheet 87
- Sheet 88
- Sheet 89
- Sheet 90
- Sheet 91
- Sheet 92
- Sheet 93
- Sheet 94
- Sheet 95
- Sheet 96
Frame 7
- Sheet 97
- Sheet 98
- Sheet 99
- Sheet 100
- Sheet 101
- Sheet 102
- Sheet 103
- Sheet 104
- Sheet 105
- Sheet 106
- Sheet 107
- Sheet 108
- Sheet 109
- Sheet 110
- Sheet 111
- Sheet 112
Frame 8
- Sheet 113
- Sheet 114
- Sheet 115
- Sheet 116
- Sheet 117
- Sheet 118
- Sheet 119
- Sheet 120
- Sheet 121
- Sheet 122
- Sheet 123
- Sheet 124
- Sheet 125
- Sheet 126
- Sheet 127
- Sheet 128
Frame 9
- Sheet 129
- Sheet 130
- Sheet 131
- Sheet 132
- Sheet 133
- Sheet 134
- Sheet 135
- Sheet 136
- Sheet 137
- Sheet 138
- Sheet 139
- Sheet 140
- Sheet 141
- Sheet 142
- Sheet 143
- Sheet 144
