'Britain's Marvelous Machins'

Introduction

Great Britain's Machin definitives have proven to be a significantly long-lived series having begun in 1968 and continuing to the present. Over this period of time, the printings have recorded changes in currency, rates, production processes, security features, materials and artistic standards. The driving forces behind the changes have been Post Office Revenue Management, Automation Requirements and Cost Reduction with the intended and unintended consequences resulting in over five thousand cataloged varieties.

The purpose of this exhibit is to capture a period of rapid, pivotal printing history by presenting ten decimal values from their inception in 1971 to the present. The presentation is therefore limited to the stamp printings only, excluding postal history, pre-cursor material such as color trials and a study of rates.

The exhibit will focus on explanations for fundamental, evolutionary changes to the stamps in the series. The large number of varieties arise from the combination of process, materials and design factors across values. The stamps, having been born into a period of rapidly improving technology, are perhaps better viewed as high-technology tariff devices.

Exhibit Frame Progression

Because of the complexity of construction of a Machin stamp, this exhibit is organized in the following fashion:

I. Base-Line Printings -- These frames explore the Gum, Paper, Phosphor/Fluor materials as intended by printers' implementation of Post Office specifications. The first five frames are essentially an introduction to the basic ½p-5p printings. The printings section begins with the right-hand side of frame 1 and continues through frame 5.

II. Interactive Technology -- These frames explore variations in the application of phosphor/fluor inks as well as providing a brief history of their development and use of these compounds to drive automation.

III. Visual Elements -- As unadorned as the Machin design is, there are a surprising number of factors that produce distinctive visually discernable varieties. These are explored in the final three frames.

Organization: This exhibit's topics are allocated in the frame representation, above, in value-catalog number-chronological order, at the page level, within each chapter, to the degree allowed by layout constraints. This permits a logical presentation of evolution and variation within each of the three major developmental threads and means that, in general, chronological order moves from upper left to the right and down in each chapter of the exhibit.

Viewing: This exhibit has been designed to be accessible by Machin experts and beginners. If you are new to the subject, the introductory pages in each chapter will assist you in understanding how variation arises. If you are familiar with Machins, moving directly to the 'Printings' pages of each chapter may be beneficial.

Completeness: Exhibiting one example of each variety, even with the limited scope of chosen values, would require space for 834 printings or about one and a half times greater frame space. Rather, I have chosen to categorize the display of the printings into three chapters containing major printing divisions each of which contains variety subdivisions as defined predominately from the Deegam Catalog (see page 6). All major printings are represented and fully 95% of the subdivision varieties are represented with at least one example from one or more values.

This introduction is taken from Stephen's more complete synopsis of the exhibit (6-page PDF file).


Frame 1

  1. Sheet 1
  2. Sheet 2
  3. Sheet 3
  4. Sheet 4
  5. Sheet 5
  6. Sheet 6
  7. Sheet 7
  8. Sheet 8
  9. Sheet 9
  10. Sheet 10
  11. Sheet 11
  12. Sheet 12
  13. Sheet 13
  14. Sheet 14
  15. Sheet 15
  16. Sheet 16

Frame 2

  1. Sheet 17
  2. Sheet 18
  3. Sheet 19
  4. Sheet 20
  5. Sheet 21
  6. Sheet 22
  7. Sheet 23
  8. Sheet 24
  9. Sheet 25
  10. Sheet 26
  11. Sheet 27
  12. Sheet 28
  13. Sheet 29
  14. Sheet 30
  15. Sheet 31
  16. Sheet 32

Frame 3

  1. Sheet 33
  2. Sheet 34
  3. Sheet 35
  4. Sheet 36
  5. Sheet 37
  6. Sheet 38
  7. Sheet 39
  8. Sheet 40
  9. Sheet 41
  10. Sheet 42
  11. Sheet 43
  12. Sheet 44
  13. Sheet 45
  14. Sheet 46
  15. Sheet 47
  16. Sheet 48

Frame 4

  1. Sheet 49
  2. Sheet 50
  3. Sheet 51
  4. Sheet 52
  5. Sheet 53
  6. Sheet 54
  7. Sheet 55
  8. Sheet 56
  9. Sheet 57
  10. Sheet 58
  11. Sheet 59
  12. Sheet 60
  13. Sheet 61
  14. Sheet 62
  15. Sheet 63
  16. Sheet 64

Frame 5

  1. Sheet 65
  2. Sheet 66
  3. Sheet 67
  4. Sheet 68
  5. Sheet 69
  6. Sheet 70
  7. Sheet 71
  8. Sheet 72
  9. Sheet 73
  10. Sheet 74
  11. Sheet 75
  12. Sheet 76
  13. Sheet 77
  14. Sheet 78
  15. Sheet 79
  16. See sheet 79

Frame 6

  1. Sheet 81
  2. Sheet 82
  3. Sheet 83
  4. Sheet 84
  5. Sheet 85
  6. Sheet 86
  7. Sheet 87
  8. Sheet 88
  9. Sheet 89
  10. Sheet 90
  11. Sheet 91
  12. Sheet 92
  13. Sheet 93
  14. Sheet 94
  15. Sheet 95
  16. Sheet 96

Frame 7

  1. Sheet 97
  2. Sheet 98
  3. Sheet 99
  4. Sheet 100
  5. Sheet 101
  6. Sheet 102
  7. Sheet 103
  8. Sheet 104
  9. Sheet 105
  10. Sheet 106
  11. Sheet 107
  12. Sheet 108
  13. Sheet 109
  14. Sheet 110
  15. Sheet 111
  16. Sheet 112

Frame 8

  1. Sheet 113
  2. Sheet 114
  3. Sheet 115
  4. Sheet 116
  5. Sheet 117
  6. Sheet 118
  7. Sheet 119
  8. Sheet 120
  9. Sheet 121
  10. Sheet 122
  11. Sheet 123
  12. Sheet 124
  13. Sheet 125
  14. Sheet 126
  15. Sheet 127
  16. Sheet 128

Frame 9

  1. Sheet 129
  2. Sheet 130
  3. Sheet 131
  4. Sheet 132
  5. Sheet 133
  6. Sheet 134
  7. Sheet 135
  8. Sheet 136
  9. Sheet 137
  10. Sheet 138
  11. Sheet 139
  12. Sheet 140
  13. Sheet 141
  14. Sheet 142
  15. Sheet 143
  16. Sheet 144

Frame 10

  1. Sheet 145
  2. Sheet 146
  3. Sheet 147
  4. Sheet 148
  5. Sheet 149
  6. Sheet 150
  7. Sheet 151
  8. Sheet 152
  9. Sheet 153
  10. Sheet 154
  11. Sheet 155
  12. Sheet 156
  13. Sheet 157
  14. Sheet 158
  15. Sheet 159
  16. Sheet 160